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About Us
P.B.E.Syllabus™ Online Portal
Introduction
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8 legitimate reasons to join PBE
Student interviews
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Introduction
P.B.E.S™ Pop Piano Improvisation (for adults & teens)
P.B.E.S™ Jazz Piano Improvisation (for adults & teens)
P.B.E.S™ Pop Vocal (for adults & teens)
P.B.E.S™ Pop Piano Improvisation Junior (for 5-12yrs old)
Rock & Pop Keyboard – Trinity College London examinations (for all ages)
Online self assessment to determine P.B.E.S™ level
Sign up courses online
Course fees and schedule
Products
EF Acoustic Wall Panels
PBE merchandise
PBE gift set (lessons package)
Yamaha Digital Keyboards & Synths (USED / 2nd hand unit)
Casio Digital Pianos and Keyboards
Kawai Digital Pianos and Keyboards
Roland Digital Pianos and Keyboards
Nord Digital Stage Pianos and Keyboards
Viscount Italian Digital Pianos
Synth & stage pianos
Digital piano accessories
Hal Leonard books
2nd hand instruments
Choosing a digital piano
What are the differences between a keyboard and a piano?
Acoustic piano vs digital piano
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Introduction to P.B.E.Syllabus™
Learn your songs
Learn what you like
Complements your previous music training
Current P.B.E.S™ edition
Excerpts from P.B.E.S™
P.B.E. Level Upgrading – Assessment and Exams
Fake sheets
Free booklet
P.B.E.S™ Exams for piano teachers
PBE?
What is play by ear?
Why play by ear?
How to play by ear?
What is Classical, Pop & Jazz?
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FREE 30mins Holiday workshop (subject to availability)
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GUITAR RIFFING AND RIFTS - FREE LESSONS
Riffs are repetitive and structured, short musical phrases. They are in fact short melodies.
Concepts and general guidelines:
Repetition of Notes Notes are repeated in a sequential cycle, hence memorable.
Repetition of Rhythm In a vein similar to repetition of notes, we now repeat the same rhythmic sequence, changing the notes.
However, if these techniques are overly used, it can become boring.
The Secret is “Change”.. It is important to have at least one juxtaposed section in the riff. One common structure is AAAB.
One small change at the 4th bar can take away the boredom of repetition!
In general these are how notes feel in relation to the chord they are on:
(numbers denote the interval on the scale of the key of the song)
1 – Expected 2 – Unexpected 3 – Expected 4 – Unexpected 5 – Expected 6 – Unexpected 7 – Unexpected
Case Study for Riffs
Let’s study a song riff that uses the above techniques strongly, Melee’s – Built to Last.
Original key is in C#. For explanatory purposes we shall talk in C major.
C (bar 1 & 2) Am (bar 3 & 4)
Notes in the Riff: Notes in the Riff : B C E D E G 7 1 3 4 5 b7 (due to minor)
F (bar 5) G (bar 6)
Notes in the Riff: Juxtaposed Section, pivot point, rhythm changes. E F A 7 1 3
C (bar 7 & 8)
Notes in the Riff: B C E 7 1 3
Let us look at the part before the juxtaposed section.
The rhythm of the phrase is repeated.
Notes change, but each phrase starts on an unexpected note, hence a similar emotion at the start on each phrase.
On the 6th bar, rhythm structure and notes change, to take the role of the juxtaposed section.
It is possible to bang on a repetitive rhythm with repetitive notes. Just take note of chord’s tonal color.